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The Hodegetria Mother of God "Gruzinskaya"
  • The Hodegetria Mother of God "Gruzinskaya"

    TitleThe Hodegetria Mother of God "Gruzinskaya"
  • Technique/ MaterialTempera on wood (linden)
  • DimensionsDimensions: (h x b x dj) 107 x 82,5 x 3 cm
    Frame: (h x b x dj) 110 x 82 x 12 cm
  • DatingMade c. 1525 - 1550
  • CategoryPaintings, Icons
  • Inventory No.NMI 264
  • AcquisitionGift 1952 Olof Aschberg
  • ExhibitedNationalmuseum, Room 1614 17th century
  • Description
    Literature
    Artist/Maker
    Images and media

    Description in Icons, Nationalmuseum, Stockholm, 2004, cat. no. 60:
    The Hodegetria Mother of God “Gruzinskaya”
    Second quarter of 16th century, Novgorod
    NMI 264

    Wood: Linden (Tilia sp.), egg tempera
    on canvas. Panel made of three boards
    with two splines inlaid from opposite
    sides; back painted brown.

    PROVENANCE: Antiquariat no 4582 (”Novgoroder
    Schule, Anfang 16. Jahrh.”); Olof
    Aschberg 1935; Gift of O. Aschberg 1952
    EXHIBITIONS: Gothenburg 1970, no 13;
    Helsinki 1970, no 13; Stockholm 1988, no 6
    BIBLIOGRAPHY: Dahlbäck 1954, pp 196, 197;
    Kjellin 1956, pp 96–97, 238; Felicetti 1972,
    p 109; Abel 1978:1, fig. 4
    CONSERVATION: Restored prior to entering
    NM: joints in bottom right-hand corner
    mended with a large iron nail; insertion of
    ground on lower border with artificial
    craquelure; minor insertions along rest of
    borders; minor retouches on faces with
    artificial craquelure; retouches on background;
    gold on halos, background and
    borders removed. NM 1966: repairs to
    cracks along joints, retouching and varnish -
    ing; 1971: extensive damage to border in
    bottom right-hand corner mended; 1988:
    consolidation of blisters and flaking paint,
    damage repair and cleaning. Cracks in
    panel joints and paint layer, with minor
    paint losses from bottom left-hand border;
    scattered remains of gold on halo, background
    and borders; halos decorated with
    a system of engraved and painted ornaments;
    boards warped

    The collection includes two large
    images of the Gruzinskaya type Mother
    of God, both from Novgorod and
    roughly contemporary.1Of these the
    present one is most intact. Characteristics
    of the region and period, also in
    evidence here, include the pink and
    white colouring on the inside of the
    maphorion worn by the Mother of
    God, her blue clothing, the pattern of
    Christ’s clothing and also the pointed
    halos. It should be compared with
    icons of the same subject in the Russian
    Museum in St Petersburg (inv. nos
    3973 and 3114).2
    The icon may have been included
    in an iconostasis, where its place was
    probably on the left of the Royal
    Doors.

    1 Cf. Cat. no 62.
    2 Likhachov 1980, figs 186, 187.
    [slut]